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Hui No'eau Baha'i

Mālama ‘Ohana

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A surrealist, highly detailed black ink drawing executed with stipple and cross-hatch shading techniques on a cream-colored background. The composition portrays a fantastical, fragmented forest scene that appears to float or dissolve into negative space. At the center stands a prominent, textured tree trunk rendered with dense vertical lines. Its branches reach upward to cradle a large, transparent or negative-space sphere outlined by shaded, crescent-like leaf structures at the top of the composition. Surrounding the central tree are smaller, jagged tree trunks, rocky outcrops, and patches of dense foliage that create floating island-like formations. The artwork leaves vast areas of the cream paper blank, giving the entire forest landscape an airy, dreamlike, and ethereal quality.
Malama Ohana
Bower
A textured multimedia or collage painting depicting colorful, star-shaped leaves floating down a moving stream. The artwork is created on a coarse, fibrous paper surface that gives the entire piece a speckled, granular quality. On the left side, a swirling blue field representing water flows downward, carrying a dense cluster of autumn-colored leaves in shades of crimson red, orange, and golden brown. A few stray red and brown leaves drift into the lower right corner. The right side of the composition transitions into a warm, sandy field of mottled gold, beige, and light yellow, separated from the blue water by faint, wavy strokes of purple and bright yellow paint.
Malama Ohana
Children are Humanity’s Treasures
A vibrant, circular mixed-media collage centered on a plain white background. The piece combines flat, graphic paper cutouts with textured textile layers beneath. Dominating the foreground is a bright pink paper cutout of a sprawling, tangled vine with looping leaves and stylized flower buds. A darker, semi-transparent magenta color is layered onto several of the floral buds, giving them a shaded effect. This pink overlay sits atop a dark purple, circular textile base. Peeking out through the openings of the pink vine are bright, luminous patches of lime green fabric and semi-glossy, metallic yellow-gold foil or paper, creating a high-contrast, stained-glass appearance. Stray fine black threads are visible around the edges of the circular form, adding a raw, handmade texture to the artwork.
Malama Ohana
Inflorescence (for Granny KenKen)

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